![]() ![]() The album’s crown jewel, however, arrives at the very end. Kelly’s “You Remind Me of My Jeep” on the alluring “Pipe” and reflects on bad relationships decisions above an airy, Peter Gabriel-esque synth on “Masochist.” “Searching for Maria” even briefly covers Rogers & Hammerstein’s “Maria,” from The Sound of Music.Ĭhris Rock Eviscerates Will Smith in Live Netflix Stand-up Specialįrom there, Liberation enters a hazy, summer-ready, drunk-on-a-beach vibe with tracks like the reggae-inflected “Right Moves” and the GoldLink-assisted “Like I Do,” a sexy assertion of power in a romance with a less successful, younger lover. It’s the first of many left-field collaborations, ranging from a pair of rare Kanye West pop productions (including the album’s raucous lead single “Accelerate,” featuring 2 Chainz and Ty Dolla $ign) to an appearance by Anderson. She kicks things off with the LP’s orchestral title track, composed and performed by Nicholas Britell who gained an Oscar nomination for the Moonlight score. ![]() ![]() On Liberation, she gets closer than ever to zeroing in on the right path for her immense skills: her eighth album is a healthy mix of hit-chasing, theatrics and soon-to-be classic power ballads that emphasize her immense skills over half-baked conceptual themes. There have been hits and misses along the way, but one of Aguilera’s greatest attributes is that she has rarely played it safe. Then came concepts: old school sound of 2006’s Back to Basics and the electro-futurism of 2010’s Bionic. There was the bubblegum of her self-titled 1999 debut and her transition into R&B-infused, low-rise jean’d adulthood. And she has spent the better part of two decades figuring out what exactly to do with that voice. Xtina is, hands down, one of the greatest vocalists of her generation. ![]()
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